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I am sitting on my balcony on a late-summer afternoon. I have my mate gourd beside me and an e-book. There is a much-appreciated breeze darting in and out between the buildings.

My idyll is disturbed by a line of riot-geared police stacked two officers deep marching down the avenue mopping up the last ragged edges of the day’s protest. A group of people hurry into a pizzería, calculating that if they have a slice of pizza in front of them, no one will trouble them. Pizza as an alibi.

Photo journalists with hand-lettered signs saying “PRENSA” wearing bicycle helmets over their flourescent hair and volleyball pads on their knees and elbows walk awkwardly down the street, fooling no one. The flurry of shouts — higher-pitched from the scurrying protesters, deep and gruff from a policeman giving orders to his troops — is broken by the thump-thump of some weapon, but it’s more sound than fury. When the police have passed, the pizza lovers come out in single file sticking close to the wall. In their heads the embellished saga of how they outsmarted la cana by eating a slice of pizza is already taking shape and will be repeated many times.

The drama below me is a cross between kabuki and Buster Keaton. As quickly as it arrived, the commotion passes like a summer squall and I return to my book and my afternoon.

Nothing is as it seems except the wind rustling the leaves in the trees.

A water canon, it’s windows covered in metal grills, parks in front of my building. It’s doors swing open and it’s occupants spill out. Several of them fish cigarettes from their pockets and light up. They gather in a jovial circle, the excitement ebbing. A man in shorts and flip-flops walks two toy poodles down the sidewalk. While they sniff and piss on a tree, he admires the men in their uniforms and berets. One of the men notices him and winks. Poodle Man looks down.

The poodles tire of that particular tree and they head off down the sidewalk trailing their owner who looks back wistfully from the end of his leash.

My world is small and quiet. I don’t have grand ambitions. I do however like to make things. It’s funny how life just happens to you. I live far from where I was born in a country where they speak a different language but, in the end, not much has changed in translation. I still like to look out the window and watch the world go by. There have been bursts of activity over the years but at root I am an observer.

Sometimes I think I was born old. Contemplation is an art more suited to the elderly but I’ve had it since I was young. I would take the bus in from the suburbs to San Francisco and sit on the steps of the opera house and watch people go by. Without ever wanting to die, I always knew it was just around the bend. I count it as a gift: it makes you treasure the small things.

My world is wrapped like a gift in fallen leaves.


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Comments

7 responses to “Welcome to My World”

  1. I’m drawn to your pairing of Kabuki and Buster Keaton as a lens on the drama that unfolds around us in everyday life. Both traditions employ strict form to produce a heightened, less natural experience of reality: Keaton’s emotional restraint absorbing chaos, Kabuki’s emotional amplification projecting passion. From your account, people seem to “naturally” enact approximations of these two theatrical modes to express their own existential intensity, in contrast to the unconstrained expressions of nature itself. And yet, do we want to live out our days bound by such strict form? Your writing aptly points to one’s perspective on mortality as central to living instead in accordance with nature’s way. Is it not striking how much, and for how long, humanity has attempted to reckon with death? — and yet here we are again, on stage, attempting to resolve rather than more deeply understand our predicament. Thank you – I truly enjoyed this contemplation. Abrazos

    1. For fun, I’ll add that your photograph underscores for me a third archetype evoked by your writing alongside Keaton and Kabuki – the Reflective Witness – posture slightly twisted, upward-leaning, scrunched yet neutral, signaling a holding of tension between receptivity and active processing of what is observed, without collapsing into emotional reactivity. A contemplative form suggesting how observation shapes presence (rather than dramatizing or masking emotion).

  2. Silvia Biasioli Avatar
    Silvia Biasioli

    Disfrutando de tu escrito y de tu lectura.
    Diferentes temas: La protesta, la vista desde tu ventana, tu vuelta al trabajo. La contemplación, la gente diversa, los uniformados, el que pasea al perrito, el mate y la pizza.
    Muy buena idea la de haber adelantado una oración, que aparece ahora y que nos deja pensando.
    Y qué fotaza, Kevin!!!!!
    .

  3. Susan Rogers Avatar
    Susan Rogers

    Dear Kevin, what a pleasure to read your little jewels. You’re an observer of the wink, the pretense, the hue and cry undone by a convivial smoke. Also of the crude reality of leaves and people that live and die in their season. All unmasked in your tender, all-embracing view, your tongue firmly in cheek but always kind and accepting. Your world is as vast as your love of life and people. Thanks again.

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